· by Kathleen Jamie ‧ RELEASE DATE: Sept. 17, A Scottish poet’s eloquent meditations on nature and on the art of observing the world around her “even when there’s nothing much to see.”. In this probing collection of 14 essays, Jamie (Poetry/Univ. of Stirling; The Overhaul, , etc.) turns her imaginative gaze on the natural phenomena of the many wild places to which she has traveled. · Sightlines by Kathleen Jamie: review. Adam Nicolson is spellbound by Kathleen Jamie's poetic, unpretentious travel writing in Sightlines. Is Accessible For Free: False. · Sightlines, By Kathleen Jamie. Our world as you've never seen it before. Doug Johnstone. Saturday 28 April comments. Article www.doorway.ruted Reading Time: 3 mins.
Introducing Kathleen Jamie and Douglas Dunn at a poetry reading titled 'The Friendship of Poets' - part of the symposium Comparisons and Relations between Irish and Scottish Poetry Since at Queen's University Belfast in - the Northern Irish poet Michael Longley paid fitting tribute to Jamie as a poet of magnitude and. Buy Sightlines by Kathleen Jamie online at Alibris. We have new and used copies available, in 1 editions - starting at $ Shop now. In Sightlines, Kathleen Jamie takes us, for the most part, to the northern fringes of human habitation, and then beyond. She looks at gannets in Shetland, whale skeletons in Bergen, petrels in.
Sightlines, By Kathleen Jamie. Our world as you've never seen it before. Doug Johnstone. Saturday 28 April comments. Article bookmarked. In a series of what could be called essays, Kathleen Jamie describes remote islands in Scotland, its cliffs and birds and sea, whale sightings, a museum of whale bones in Bergen, a trip to the Arctic and the Aurora Borealis, a lunar eclipse and so on. sightlines by Kathleen Jamie. The outer world flew open like a door, and I wondered, what is it that we’re just not seeing? Five years after Findings broke the mould of nature writing, Kathleen Jamie subtly shifts our focus on landscape and the living world, daring us to look again at the ‘natural’, the remote and the human-made. She offers us the closest of perspectives and the most distant, too: from vistas of cells beneath a hospital microscope, or the pores of a whale’s jawbone.
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